Flutewise at Woldingham 2018 and CAKE!

I'm just recovering from another great Flutewise course at Woldingham. As always we had wonderful course members, house staff and visiting staff and everything about our stay at Woldingham School was really good. My highlight has to be the CAKE!


This beautiful cake was so generously provided by my friend Tomoko and family. Thank you so much

This beautiful cake was so generously provided by my friend Tomoko and family. Thank you so much

It's hard to believe I set up Flutewise 30 years ago. That was even before many of the members of staff on our course were born. I hope I can manage another 30 years! I love the cake has a flute on the top, but more importantly I love the photos around the edge, showing events from Flutewise past. More photos below.

We had so much fun on the course. It was a slightly different one to normal with visiting staff each day. This meant our ensemble pieces and warm ups weren't as intense as normal. There are only so many hours in a day and we really did fill them. The house staff included Simon Williams, Lorna Brown, Joleigh Saunders, Abbie Burrows and Carrie Hensel. On Wednesday we were joined by pianist and ABRSM examiner, Chris Baxter, he stayed with us for the rest of the week. Carolyn Kelly also joined us on Wednesday as did Pasha from Just Flutes - he talked about flute care and brought us goody bags (a huge thank you Pasha and Just Flutes). We had a very special guest for the afternoon and evening, Philippe Barnes who performed for us and taught us loads about Irish Flute playing.

On Wednesday morning we had an 'Ensemble Competition'. It was an 'unfair' competition as 2 of the ensembles had already been rehearsed before the course. It was really good to see and hear people really working hard and focusing, trying to win. Each group even had to design and make a programme. The performances were all great and, in true Flutewise fashion, everyone won - equally. The prizes were very well received - a cabbage, a swede, a cucumber, a bag of carrots! What more could anyone want?! I’ve got video recordings which I will sort out soon.

Thursday was dedicated to everyone working on their own solo with piano accompaniment with Abbie and Chris. Later in the day we had a student concert. I was really impressed with the difference in playing from the morning to the final performances. Every single person took on board what they should do to improve their piece. Again, they were recorded and I’ll sort them out as soon as I can.

Gareth McLearnon was with us on Thursday and as well as working on The Flutewise Theme which he composed, he also brought his enormous collection of flutes for a ‘show and tell’ session and he worked with the more advanced players on technique.

We had 2 girls training as Flutewise Apprentices, Jess and Pippa. I’m so very pleased they are on board. As part of their training they had a to run a workshop creating a piece using a poem. The results were lovely. Again there is video to come.

I was very much looking forward to Friday as we had Rachel Brown come along and share lots of information about playing Baroque music. Rachel is such an expert and so very good at making it all easy to understand.

There were lost of other things happening during the course - workshops on circular breathing, piccolo playing, vibrato, we had a ceilidh (that’s a bit of Scottish dancing) and every night we had a relaxing bedtime concert.

There are photos below but there will be lots more soon. Also there is an email from the mum of one of our course members, she is happy I share it with you. 

Hi Liz

I just wanted to say a huge thank you for Flutewise at Woldingham, Layla had a fantastic time.

It's always a bit of an unknown quantity sending a child on a course - most of the time they can only give you a vague account of what they ate, who they met and that's about it. But in the case of Flutewise, Layla spent the journey home (for a good couple of hours due to the M25 being a bit busy) giving us a detailed account of what she learnt about playing high notes on her flute and piccolo, what she learnt about looking after her flute, the technical exercises she did, the pieces she enjoyed playing, how great the teachers were, how she was inspired by the apprentices, how much she enjoyed the ensemble competition, how good the evening concerts were, and how much she loved her medal and gifts.

So I can wholeheartedly say that Flutewise is worth every penny, is a fantastic opportunity for a child, and that we'll definitely be back. THANK YOU!

Many thanks again, Tina

One of our course members, Lizzie, also wrote this:

I loved every aspect about Flutewise: the solos, the ensemble competition, the choir, the staff, and the food! However, most importantly, I made new friends and had a fantastic time!! 



Click on the photos to see all of them

Flutewise in Tonbridge - we did it!

Over 30 years of Flutewise I've faced all sorts of challenges with events. Our day at Tonbridge gave me a new one - snow! We were due to have the event on 4 March, but the school closed the venue because of the snow. Luckily we managed to reschedule the vent for the 18 March feeling very confident the weather would be fine by then. We had a few days of lovely spring weather and then more snow! It wasn't quite as bad this time so we could go ahead.

The event was held at the Schools at Somerhill in Tonbridge, a lovely venue. It's with a big thanks to Pat Daniels for making this happen every year. The morning was a BFS workshop for adults with Abbie Burrows and Gareth McLearnon. Patrick Onn also came along with his travelling flute shop. In the afternoon it was a fun filled packed Flutewise event. Everyone really seemed to enjoy themselves and learn so many new things about the flute. As well as warming up exercises, flute choir playing, seeing Abbie and Gareth's growing collection of amazing flutes, everyone really enjoyed being extremely creative in the Scale Game.

As it is Flutewise's 30th anniversary we had cake! Yummy. 

The day ended with a very short performance to parents. It was really lovely, hearing the music and watching the snow out of the window. 

Many thanks to everyone who made the day so special. Looking forward to the next one.


Flutewise Newsletter March 2018

I've just sent out a newsletter to people on our list. If you haven't singed up already, why don't you do it now and you can receive them straight to your inbox? I don't send them very often, but you don't want to miss out on an event. Sign up here

Flutewise News March 2018


Flutewise in Tonbridge

It’s spring, thank goodness. For the first time ever in our 30 year history, an event had to be rescheduled because of snow. We were due to go to the Schools at Somerhill in Tonbridge on 4 March, but the school decided to close the venue due to the weather. The good news is that we were able to rescheduled this event for Sunday 18 March - next Sunday, so if you haven’t already booked, there is still time. The morning event is for adult players and the afternoon for people aged 8 to 18. You can read more about it here

Flutewise at Woldingham

Not long after that we have our Spring Residential course at Woldingham, Caterham, Surrey. It is from 3 - 6 April and there are a few places left. As part of it, we are also offering a one day course on Wednesday 4 April from 10.00 am until 8.00 pm. As part of this we will be celebrating 30 years of Flutewise (so there might be cake!) As well as the great Flutewise residential staff team, we will also be having special guests Gareth McLearnon and Philippe Barnes. It will be a fantastic day in the wonderful venue. Book soon though as places are limited.  Day course Residential course

Flutewise in Jersey

If you follow our news, you will know we had an extremely successful event in Jerry during February.  I’m delighted to say we have been invited back for a 3 day course in October/November, during the half term holiday. There is the opportunity to stay at Chateau Vermont where the course is held. Jersey is an excellent place for a family holiday and I’m sure it will appeal to families with young flute players. We might also be able to arrange for young players who want to come on their own or with a friend to travel from Gatwick with Flutewise staff or with families going. If you are interested, you can complete a form on our website.

Summer in Croatia

For many, many years I’ve been running a summer school in Kastela, Croatia. I’ve always been thrilled at the number of British families who have come to join in the course and enjoy a holiday and this year is promising to be no exception. The course is during the 2nd two weeks of August this year. Let me know if you want to come. It’s a great experience to work and play with Croatian flute playing friends.

Dr Flautus Advice Page

One of our dedicated Flutewise supporters has offered to offer any help and advice. 

Dr Flautus' Problem Page.

Do you ever have a problem with your flute playing and just don't know where to turn? The internet is telling you a thousand different things and you don't know what advice to take?

Look no further!

Dr Flautus is here to help! Whatever the issue with your fluting you will get clear and straightforward help. Whether it's trouble with a tricky bar or general problems with Time signatures or breathing. Dr Flautus will know exactly what to do!

With regular advice and suggestions Dr Flautus is the best person to ask!

Do you have a question? Please ask!

I’m busy working on more events and I should have some to announce soon. I hope to see you soon.

Happy flute playing


If you have a question please use the form below - it will come direct to Flutewise and your full name and email address will not appear on our website.

If you have a question please use the form below - it will come direct to Flutewise and your full name and email address will not appear on our website.

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Gareth Davies Competition Winners


We are delighted to announce the winners of these 2 competitions. Thanks and well done to everyone who entered.


Gareth Davies is Principal Flute in the LSO. What does LSO stand for?  

a) Luscious Slovenian Octet

b) London Street Operational 

c) London Saxophone Organisation

d) London Symphony Orchestra


The answer was D London Symphony Orchestra.

The winner of this competition is Jonathan Orr from Londonderry, N Ireland. Jonathan’s prize will be sent direct form the composer, Douglas Knehans.



1. The LSO is 113 years old. Gareth has been Principal flute since 2000. Daniel Wood was the 1st ever principal flute. What number do you think Gareth is?

3rd, 9th or 20th?

2. In an average year, how many concerts does the LSO perform around the world?

25, 99 or 140

The answers are:
1. Gareth is the 9th principal flute of the LSO

2. In an average year the LSO performs 140 concerts

The winner of this competition is Amy-Jayne Milton from Malton, Yorkshire. Amy-Jayne’s prize will be sent direct form the composer, Douglas Knehans.


Many thanks to Douglas Knehans and Gareth Davies for making this possible. 


Flutewise Jersey Weekend


Leaving home at 3.00 am on a Saturday morning at the beginning of February was not a particular pleasant experience, but it was so worth it! Mike Mower, Cathy Hare and I were invited to Jersey to deliver a weekend of Flutewise activities. Claire Harvey had planned it all along with her flute player/teacher husbands, Andy and pianist Chris George was also involved. Lots of planning had gone on before hand - Mike and Chris had even tried to rehearse on Skype (it didn’t work!).

The venue was/is amazing. The Jersey Academy of Music is housed in Chateau Vermont in St Saviour, Jersey. Mike, Cathy and I were sleeping there and I’m not going to tell you what our bedrooms were like because you would be soooo jealous!

We had a lovely group of young flute players come along to take part and we did all the usual Flutewise activities - warm up, ensemble playing, creative music making, Mike taught us improvisation, Cathy worked on tone. Mike wrote a few extra parts to his excellent Township Time from his Junior Musical Postcards book and this went down a storm. 

While Mike and Cathy rehearsed in the afternoon with Chris for the evening concert, I taught everyone with extended techniques needed for Ian Clarke’s Walk Like This and then we rehearsed the piece. The young flute players did so well and loved it. As they were enjoying it so much we decided not to use it for the evening concert but to keep it for the concert on Sunday so we could enjoy it for longer.



The concert was wonderful on Saturday evening, we had a great audience.

Sunday morning dawned and it was off to work again. It was lovely doing a second day as everyone knew each other and bonded well. One of the highlights was working on The Purple Cow. If you’ve been to a Flutewise event before you might have experienced this - it’s a poem, with a simple round which we use to create a performance. Every performance turns out differently and everyone works very hard and really enjoys it.

Something else the young players really loved over the weekend was Erik’s Game or ‘piccolo’. Now if you haven’t played that yet, you really need to. Get to the next Flutewise event.

Over the weekend we had lots of fun, heard sublime and exhilarating playing from Mike and Cathy, learnt lots of new techniques (including a bit of beatboxing) and thoroughly enjoyed exploring Mike’s music and learning a bit about improvisation. 

A big thank you to everyone who came along - including Ava and Mabel who came from London - and thank you to Mike and Cathy and to the people who made it possible, Claire, Andy and Chris.

Mike and I were last in Jersey for a Flutewise event in 1998! Flutewise has plans to go back during October half term for a 3 day course - watch the website for details!


We love hearing your comments Name *
We love hearing your comments Name

Happy birthday Flutewise!

I've had some birthday messages that I thought you'd like to see.

First a poem from Frances Thornton

Ode to Flutewise!

Flutewise is 30! Hip Hip Hooray!
An exciting event I really must say!
So many Flautists have loved it to date
but you can still get involved! it's never too late!

There's so many courses than you can attend
to make lots of Music and make lots of new friends.
You'll learn loads of stuff and have a real hoot!
Do workshops and concerts, 
and fun games with your flute!

Flutewise is awesome! it really is!
great for young Flautists.. so thank you to Liz!
So check the events, courses and flute days
And enjoy playing your flute in a thousand and one ways!!

Happy Anniversary!

Frances x

Also ...

Happy birthday, Flutewise :).  So pleased to hear that Flutewise has reached this milestone.  I personally had many amazing experiences at events led by Flutewise, even though I was surrounded by a very much younger generation of flute players.  It didn't faze me at all because we all had one thing in common, playing the flute, making music and having fun.  May I wish Flutewise many many more years of playing, a great group for the budding flute players:).  Enjoy the year as you celebrate.

Carla Woods


Have we really been doing this for 30 years? I only help out occasionally, but have been there from the beginning ( aaaargh chippenflutes) 🤣🤣🤣🤣🤣🤣🤣🤣
Lots of love

Tim Kipling

Anyone remember the Chippenflutes?!

Maybe you would like to leave a message


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30 years! A bit of history.

If you read the previous post, you will know we've had our first Flutewise event of 2018. That means Flutewise has reached its 30th anniversary!

I'm thrilled, amazed, stunned and a 101 other emotions to have reached this milestone. 30 years is such a long time, I do find it hard to believe. To have reached this point has taken so much amazing work (virtually all of it voluntary) by so many supportive people. It has been the most amazing fun. That was always my aim with Flutewise - to motivate and inspire people to play the flute and make music and have fun doing so.

I remember way back in 1988 so very well. Most of the year was spent planning, thinking and learning new skills. One of the most important jobs was coming up with a name. We drew up a list of about 30 or 40. My husband suggested Flutewise. It was influenced by my like of owls. My very great fried, Sue Besly (another flute player) and I had spent a happy holiday in Gibraltar together and we had filled some of our time looking for an ornament of an owl playing the flute. We didn't find one. I've rather a lot now!

Flutewise started life as just a magazine aimed at young flute players. My learning curve was huge. I'd never been involved in such a thing and I had to learn everything involved from scratch. I was so grateful to Simon Hunt, another flute player and publisher of flute music - Pan Educational Music. Simon introduced me to James Ledward, a printer (and musician) of music who had a print works near me in Hove. I think it is true to say James and his printer, Robin, taught me almost everything I know about print.

Life was very different in 1988. No internet - no emails or websites. Mobile phones were very rare and had HUGE batteries - you needed two hands to carry them and the signal was rubbish. Printing was also so different. I would draft the magazine and using 'cut and paste' set it out. It was literally printing out words from a typewriter and, slightly later, a computer, cutting them out and placing and sticking them where I wanted them to go, leaving spaces for photos or drawings. Drawings were so important in those days as they were easier and cheaper to print. My good friend Wendy Standen was our artist from the beginning and produced so many wonderful covers and illustrations. I would then take my draft to James and he would set it out more carefully, making sure everything was lined up and then inserting the photos from negative images. The document was then made into a plate and then a negative image made. A proof was made and once approved, the magazine was printed from the image.

It wasn't until late in 1989 I bought our first computer. It still sits on a shelf in my office. It's an iconic Apple MacintoshPlus. It cost £1066, a huge amount of money in those days. The next week we needed to go back and spend another £464 on a hard drive - it was operated by floppy disks and took forever to load. That computer could do so little, especially compared to what a mobile phone can do today. It managed word processing, a simple database and a painting programme. Those were the days.

The first magazine was printed over the Christmas holiday at the end of 1988 and sent out in the January 1989 - this gives me the excuse to celebrate 30 years over 2 years, 2018/2019! So now 30 years on I'm spending the year trying to plan something really, REALLY BIG for all of our lovely flute players. I hope I manage it, with help maybe I will.

There will be plenty of Flutewise events this year involving so many wonderful people who have been involved over all of these years. I'm thrilled that so many people who have been involved with Flutewise as children are now grown up, but they are still involved. I'm grateful to every single person who has ever been involved in Flutewise - I'm mentioning no names as the list would be too long and I'd hate to miss anyone out. Some people have been/are much more involved than others, but thank you to everyone. A big thank you also to the unsung heroes, our Trustees, a great group of people who make sure everything I do with Flutewise is 'on track'.

How many more years?! Maybe you can support me - come to an event, suggest an event ...

Liz Goodwin (the person who created Flutewise in 1988)


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Flutewise at Kent College Canterbury

Last Sunday, 14 January, we held our first Flutewise event of the year at the wonderful Kent College, Canterbury with Abbie Burrows, Gareth McLearnon and myself. Enormous thanks goes to Jane O'Neill (flute teacher) and Julian Ross (head of music) for making it possible to happen. Below is a write up of the event by Julian.

A wonderful day of music making at Kent College, when as well as many of our own pupils, we also welcomed young flautists from all around the Canterbury area to participate in ‘The Really Flutewise’ event. Workshops took place throughout the day with internationally renowned flautist Abby Burrows and multi-award winning flautist, composer and arranger Gareth McLearnon. Through fun group activities, the children learnt new techniques, skills for practising, and enjoyed putting together a variety of ensemble music, including well-known tunes from musicals. The children all got a chance to try out new instruments of all sizes, including a mighty contra-bass flute brought along by Patrick Onn from ‘Top Wind’. Along with a delicious roast lunch, provided by Kent College’s catering team, and an opportunity to meet new people and make new friends, this was a really exciting and most productive day. Thank you to Liz Goodwin from ‘Flutewise’, now in her 30th Year of running such splendid opportunities for young flute players, for putting on such a terrific event. Also thanks to our own flute teacher Jane O’Neill for her vision, encouragement and support in bringing this amazing day to Kent College. Well done all!

So many happy Flutewise players

So many happy Flutewise players

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Gareth Davies Competition Time!

Every flute player I know loves our Flutewise friend, Gareth Davies. Gareth is principal flute of the London Symphony Orchestra and as well as an exceptional musician he is an extra exceptional person.

I was very excited when I heard he had recorded a brand new flute concerto. As flute players, we really do need new repertoire, so a new flute concerto is always welcomed. Douglas Knehans is the composer of tis exciting work, it’s wonderful to listen to, but if you want to play it, you are going to have to work hard! Did I say listen to and play it? I’m one of the lucky few who has heard it. The recording won’t be released until April, but you could win a copy and/or a copy of the music now! Between Gareth, Douglas and myself we’ve come up with 2 competitions - one a very, very easy one and one a little bit harder. See below.

The Album is entitled ‘Unfinished Earth’ and has two works, the flute concerto, ‘Tempest’ and an orchestral work, ‘Unfinished Earth’. The works are performed by the Brno Philharmonic Orchestra conducted by Mikel Toms. 

This is what the composer, Douglas Knehans (read more about him here http://www.douglasknehans.com/biography) says about his works:

“Tempest, my flute concerto, was shaped by the thought of wind—such an essential element to the flute and flute playing—and how, in the natural world, this courses across the planet in different ways from benign to hostile. The three movements reflect different wind patterns found around the globe and served as a departure point for a three movement work cast in a quasi-classical frame of fast-slow-fast structure. Each movement engages a message, I hope, beyond mere tone painting, to reflect deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion. The highly virtuosic solo part is played Gareth Davies, the principal flute of the London Symphony Orchestra, and he is spectacular.

Unfinished Earth is a longer and deeper work, again cast in three movements, and delving into the constant degradation and reformation of earth and sea. Just as the earth slowly changes and evolves, we ourselves are constantly evolving through the deepening of our life experience, the processing of life’s joys and tragedies, and the inner passage of our turmoils and triumphs. Tempering, the first movement, is about the formation of earth and the molten rock that is risen from the subterranean earthen smelter to become land. For me, this is a movement about becoming, and through such becoming, firming in our senses of self, just as earth does as it becomes land. Eternal Ocean, the second movement, evokes the shifting currents of deep ocean, again, as a metaphor for the unfocussed and at times even conflicting currents of the inner emotional worlds of the human experience. The final movement Tearing Drift is again a work with multivalent meanings: some referring to the ripping apart or fractures in the earth’s surface as might happen in an earthquake perhaps; to the alternative meaning of the first word of the title not as being torn but as crying. This notion of an earth cry or deep subterranean swell of grief was a central image and intent of this movement. The strident wind and brass microtonal peals and screams against the strong percussive thrust of this movement was intended to reflect such an earth cry—or even the Munchian silent scream of isolated man.    

These two works represent different views of how the external metaphors of wind and earth may be shaped to reflect the more intimate internal worlds of the human heart and mind.”


I’m sure you would love to be one of the first people to have a copy of this CD or a copy of the music. So here are the two competitions. You can enter one or both. The closing date will be 14 February when all correct answers will be put into a hat or box or flute case. The lucky winners will be informed by email and announced on our website.


Competition 1 - to win a CD recording Unfinished Earth

Gareth Davies is Principal Flute in the LSO. What does LSO stand for?  

a) Luscious Slovenian Octet

b) London Street Operational 

c) London Saxophone Organisation

d) London Symphony Orchestra


Competition 2 - to win a copy of the music ‘Tempest’ by Douglas KnehanS

Answer both questions

1. The LSO is 113 years old. Gareth has been Principal flute since 2000. Daniel Wood was the 1st ever principal flute. What number do you think Gareth is?

3rd, 9th or 20th?

2. In an average year, how many concerts does the LSO perform around the world?

25, 99 or 140

To enter use this link

Good luck!